Short story reviews: Ambroz, Stabback
Love and Anarchy and Science Fiction by Angela Ambroz (an Italian-Slovenian woman)
from Redstone Science Fiction (June 2011)
This story hasn’t gotten enough attention if you ask me. Ambroz writes with flair – she has an eye both for small details and for the epic, which is exactly what you want when it comes to a sweeping space-opera yarn like this one.
I see the author in the characters – Angela Ambroz travelled far and wide and lived in many places, from Fiji to the UK, and she’s also Italian like the protagonist’s love interest. I don’t know if she ever tried to topple any empires in the process
I also wonder about her connection to Tibet – this is her second story I came across that had Tibetan characters (the other being Shahrukh and the Tibetans, set in the same universe as far as I can tell).
I loved how the protagonist was masculine (as befits a bodyguard), but female. We could certainly see more of that in SF; even space-marine stuff often tends to shy away from explicitly masculine women.
There’s something that bugs me, though – I don’t like it when people are being lectured on their own history. Plus (spoiler!) I’m somewhat tired of “romance across lines of privilege” stories, and they raise many issues, but this story whizzed by so fast I only noticed this upon reflection.
I also wonder what Indian people think of Hindustan being painted as a future imperialistic superpower! (If this happened with one of my ethnicities, I think I’d both be flattered in a twisted sense and kind of apprehensive, as in, do you really have to…? :O )
Bonus: the World SF Blog just had a link to an article on Italian SF earlier today. I’ve only skimmed it so far, but it doesn’t seem to mention a single Italian writer who writes in English… well, Angela Ambroz is one!
In Which Faster-Than-Light Travel Solves All of Our Problems by Chris Stabback (an Australian man)
from Clarkesworld (Dec 2011)
Another of those ‘style is substance’ stories like this one. I think it was Samuel Delany who once wrote that one should only write in first person if the narrator’s voice is important and unique… Stabback certainly delivers on that count, and his ‘I am a spacefaring recluse’ narrator does have a strong voice, but that does not necessarily mean it is enjoyable.
The plot is just a bunch of clichés thrown together, so the story either makes an impact based on style, or does not make an impact at all. It seems to be quite controversial with readers on the Clarkesworld website, some people love it, while others are puzzled at the adulation.
I think it remains to be seen whether the author can write something different and equally distinctive (in which case everyone should pay close attention) or whether this is him speaking instead of his protagonist. His website vaguely suggests the latter, but there’s so little text on it it’s hard to say!





